Hi everyone,
This is my first post on here and I read the forum rules, but if I violate something just lemme know. I'm a soph in college majoring in engineering, but I have underlying passion for chem and functional art on the side. Lately I've been trying to find a way to copper and silver plate non metallic items for an effect of embedded metal. Woodwork in particular is what I want to do this with right now. The common procedure that I've heard and read some online about is
Cu(s) + 2AgNO3(aq) ---> Cu(NO3)2(aq) + 2Ag(s)
I'm fuzzy on the exact science behind reduction/oxidation reactions, but I think I get the more macro principle: Copper metal is higher on the reactivity series, so when in contact with AgNO3 solution it forms Cu+ ions which displace the Ag+ ions, precipitating silver metal out, taking the copper's place as the solid, which can occur as a surface layer are right. No electricity needed; just uses higher reactivity. Is that all correct?
I took a metalsmithing class last year before I transfered schools, and we had crockpots filled with aqueous acid at ~140F. I don't know exactly what the acid solution was that they used in that class, but from reading online I don't think there's a single magic recipe. Sparex might have been it...
http://tinyurl.com/2thrtt ...I'm not certain, but I know it was a granulated compound that you just mixed in with water. I can't find much info on what exactly this acid is. Can anyone speculate? The main selling point seems to be that it's a safe alternative to H2SO4.
After torch soldering your piece, you put it in this bath and the acid removed the mess of oxidation, flux, and any impurity deposits from the torch etc, leaving you with a slightly rough but elementally clean surface. The big common use one was so loaded up with copper ions that any metal workpiece (from what I saw and remember atleast) you put in it would grow that same layer of textured pink copper.
^ This incessant copper coating is what I what I think I need to recreate for the nonmetallic surface dillema. In class we worked with plain copper, brass (copper, zinc), sterling silver (copper, fine silver), nickel silver (copper, nickel, sometimes zinc), and occasionally steel. zinc nickel and iron all have higher reactivities than copper so it makes sense that they grow a layer, but why does the copper and sterling silver do it as well (fine silver reactivity < copper reactivity)? shouldn't they be essentially stable in such a solution? Is it reacting with the film of copper oxide that inherently forms when copper sets in air, and this lets it precip out enough Cu+ ions to give the same appearance?
My TA (has no interest in actually teaching; very frustrating) said you can get or make something that can be painted onto non conductive items that will allow them to be plated in this manner, but I couldn't get anymore info out of him. Since I'm applying it to wood it needs to be something that can work into the wood grain and be basically flush, not a paste that would need gobbing on.
Correct me if I'm wrong: I basically need to get something of higher reactivity than copper into the target area, firmly deposited such that it's not going to just get washed out when immersed in the ionized acid bath? Rough up the wood grain, then spray/brush a mild adhesive solution into the target area, either followed by the powdered reactive metal, with said metal in suspension with the adhesive, or
both. I have flake aluminum powder around my house somewhere, but it's been temporarily misplaced. Would iron oxide powder work, or will the oxide ion give me trouble? What kind of adhesive would be good to use here that will keep the powder from washing out, but will also be porous and penetrable enough to let the reaction take place? If I can get a powder caked into the grain and redoxed without washing out, I would think the copper would precipitate in its place with a more interlocked and crystalized structure. Does that sound reasonable?
After the copper gets plated on like so, then I'd go and basically repeat it with the AgNO3 solution to now replace the copper with silver. I'd insulate the rest of the wood that wasn't being plated so it wasn't pointlessly exposed to acid each time. I'm mainly wanting to do this for goblets and bowls that I turn on the lathe I'm getting soon, so after the target area is plated, I'll just stick it back on the machine and refinish it to remove the insulation and generally clean it up.
So that's what I've gathered on this topic so far, for what it's worth. Does anyone have a better idea for the base reactant isntead of trying to glue powdered metal in there? I'd imagine there is something better, but I don't know what it is. In my class they showed us a big electroplating machine that upper level classes use, where you could copper plate pretty much
anything. They had some wild flowers flawlessly plated as examples. I don't have any access to a machine like this, but if I can get higher quality results and more efficient operation with an electrical setup, I could give it a try with a big battery and a lab beaker. The items I'm wanting to plate are small enough that I could easily find a suitable container to do it in.
What would be the best acids for me to use? The Sparex stuff we had in class probably isn't the prime one to use for the
intention of plating things in copper, or does it even really matter? Can I substitute something for nitric acid for the AgNO3 solution? I don't really have a good source for nitric acid, but I have ammonium nitrate and sulfuric acid, so I can theoretically distill it in my friend's retort. Problem is the sulfuric acid is the low quality stuff from the hardware store, "drain opener", and it's about 95% H2SO4, but it has 12 buffers that they add to keep it from damaging pipes. Does anyone know what these are, and will they compromise the quality of my HNO3 yield?
Anything else anyone can offer I would much appreciate
Thanks for any help
-Jon